Well, after all the excitement, celebrations and hoopla over The Music of the Lord of the Rings Films I took a little breather from the Blog. Starting to gush. So with feet firmly back on the ground I thought I would dig out something grittier and Hobbit free.
David Baldacci is an internationally-acclaimed best selling thriller writer. They all say that in publishing but, with 100 million books in print no less, it is a very fair claim. And I have to say having read six of them they are actually great, fast-paced page-turners. Hailing from Virginia USA, Mr. Baldacci practiced law for nine years in Washington, D.C., as both a trial and corporate attorney. This informs the credibility of his story lines. You may recall his debut novel Absolute Power which was filmed, starring Clint Eastwood, Gene Hackman and Ed Harris.
The design work I undertook for Simon & Schuster UK was a complete author make-over, comprising the new hardback, Last Man Standing and fresh covers, in the new livery, for his paperback backlist. Interestingly the commission came from S&S art director Glen Saville (now freelance). Interesting because Glen worked for me at Pan Books in a former life. So the first move was a quiet sober lunch to catch up and make sure the old roles threw up no problems in working together with Glen as ‘The Boss’. It was a wise investment of a couple of hours and roles and functions were clear. Initially I produced covers for Douglas Coupland and Seth Godin – which I can’t find for the life of me. Bald head, tight crop, bright colours.
The David Baldacci make-over was based on a very dramatic use of white space working off the bottom of the page. And, sorry to bang on about it, attention the spines as display areas. Glen was great in giving me space to work and championing the look through the publisher’s processes, a real ally to the project. It is worth pointing out that within a strong publishing genre, such as mainstream thrillers, you can stretch things to a certain extent but must not lose the instant recognition factor for your audience. I’d love to try it but publishers do not warm to thriller jackets/covers that reference literary fiction or cookbooks! Publishers, I dare you to let me try!
We tackled the photo-shoot in one – very long – day. As so often, my first choice behind the lens was Colin Thomas. Colin is a tall thin, sometimes bearded, odd sock wearing fellow who has quite the easiest manner you could wish to work with. His skill and adaptability are superb. We have worked on hundreds of assignments together, from Ed McBain and Dick Francis to wild PhotoShop forays where Colin is a master. He does great location, advertising and portraits and catalogue work. Damn, he’s talented. You would love working with him. Check the Digital Imaging on his website. It’s insane.
By the way, the model on A Simple Truth was a cracking fellow who appeared as an actor in a Guy Ritchie film. I think due credit is so important and I am maddened I cannot remember or find his name to check him. Maybe you can help, film buffs?
Anyway, returning to the ‘internationally-acclaimed best selling thriller’ schtick and the commercial imperative, the David Baldacci make-over exceeded the publishers’ expectations winning prime display and shelf space everywhere. His industry currency soared and the auction value of his next book went stratospheric.
What I would like to know is what thriller covers have appealed to you? Why not leave a comment and tell us why you like them?
And I’d love to hear what you think of Colin Thomas portfolio . . .